Thursday, January 05, 2012

Zeke Cube

Zeke Berman
"Still Life With Necker Cube"
1979
16 x 20 inches

I've long celebrated -- even, in my idolatrous way, revered -- the Necker Cube, the familiar optical illusion created by Swiss crystallographer, Louis Necker. I regard the impossible cube as a symbol of life's push-pull ambivalence and contradiction.

Zeke Berman
"Measuring Cup"
1979
16 x 20 inches
As I wrote here, in 2006,
"I'm preoccupied by...ambivalence. Most people think of the word, ambivalent, as a pejorative. Without question, it can be used in a disparaging way, especially when interpreted only to mean indecision, but what of the word's other meaning, 'the coexistence of opposing attitudes or feelings'? This latter usage accurately describes the balance sought by yogis, the Chinese yin-yang symbol, and the quantitative and qualitative possibilities figured in E=MC2. Contradiction, in this sense, is an altogether natural, even positive phenomenon."

Zeke Berman
"Domestic Still Life - Art and Entropy"
1979
16 x 20 inches
As a Necker Cube fetishist, then, I was especially excited to discover photographer Zeke Berman's "Still Life With Necker Cube" on a recent visit to SFMOMA. This evening, I paid a visit to Berman's website, and discovered several other pictures from the same time period that either feature my right-angled mandala or play with the ideas it provokes. Clever stuff....and handsome, too!

Zeke Berman
"Cubes"
1979
16 x 20 inches

Image credits: all photographs from the artist's website

1 comment:

Donald Frazell said...

An artists roll in human culture is to resolve what are seemingly contradictions. It is our understanding, our limited intellect and souls that do not comprehend what is truly One. We simply ask bad questions. That is the ultimate goal, not just balance of supposedly opposite things, but to see life comes in three, not either or, and are part of the whole.

It is simply where we happen to stand at the moment within the triangle which makes us able to see only one at a time that is the problem. The artist is to show what we can see, and what we know exists but cannot. on the physical plane and spiritual, using our fat filled chronically electrochemically misfiring synapses