Showing posts with label zoo. Show all posts
Showing posts with label zoo. Show all posts

Wednesday, February 09, 2011

"Scavenged Image (Remixed)"

"The price which man had to pay for his culture and civilization was the severing of this bond which had to be torn to give him his specific freedom of will. But our infinite longing for paradise lost is nothing else than a half-conscious yearning for our ruptured ties.”

-Konrad Lorenz, King Solomon’s Ring
I enjoy using Adobe Photoshop's basic tools to tweak JPEGs that I've collected online. Occasionally, my tinkering provides inspiration for a drawing. More often, the crude experiments are saved to my hard-drive on the off chance that I might later find some happy use for them.

A couple of weeks ago, while pondering a quick collage of a young man wearing a howling-wolf-with-moon t-shirt, I realized that my Photoshop amusements more plainly evidence the humor implicit in the ideas and questions that preoccupy me. Very few people comment on this aspect of my drawings and paintings; if they do, they assume the humor is unintended.

I believe this is partly a function of the artist's character informing the viewer's read of his or her art; people who don't know me well usually describe me as earnest, pensive, and not a kidder. Compounding matters, the pictures' principal mediums, watercolor and gouache, are considered the province of the Sunday painter. For many viewers, then, the drawings and paintings are either too heady or too precious.

By contrast, the Photoshop works are unpretentious "one-noters" that demand little from the viewer, yet still speak to some of the same existential questions that my works on paper do. What is our relationship to the rest of the animal kingdom and to nature, at large? How does our cataloging impulse inform those relationships? How do we reconcile imaginative myth with science, or our base animal with our spiritual aspirations?

But the Photoshop works also ask questions that my drawings and paintings do not. In what ways have we turned other species into commodities? What are the contemporary totem animals for an increasingly urban humanity? More profoundly, is the contemporary human condition one of contradiction? Although self-consciousness, advanced socialization, and technology make us exceptional and allow for the creation of culture and civilization, is it not those very developments that our inner animal rages against? Might many of our contemporary behaviors be analogues of the displacement exhibited by animals living in zoo enclosures?

Because these are related, but different questions and because the Photoshop works are more playful and wry, I've decided to present them on Hungry Hyaena. The first picture in my "Scavenged Image (Remixed)" series will follow this post. I will add more regularly.

Note: A thank you to Joy Garnett; her ongoing "Found Art/Unmonumental" series, posted on her long-running and consistently excellent blog, NEWSGrist, is, in some respects, cousin to this project.

Friday, July 10, 2009

Paradise: Here and Now (and To Come)


Steinbrener/Dempf
"Trouble in Paradise"

Alan Weisman's The World Without Us is an imaginative and engaging consideration of what a "post-human" Earth might look like. The popular success of Weisman's book suggests that a great many readers are willing to entertain an End Times quite unlike that forecast by eschatological messianism.

Still, in the United States, a significant percentage of the populace (maybe even a slim majority!) insist that dinosaurs coexisted with early man and that Judgment Day will involve supernatural intervention. For the rest of us, however, Weisman's predictions are more tenable than messianic adjudication and, because we're living through what scientists now dub the Sixth Great Extinction, his vision of mass extinction is also more pertinent.


Steinbrener/Dempf
"Trouble in Paradise"

I thought of The World Without Us when viewing photographic documentation of Steinbrener/Dempf's intervention at Vienna's Schonbrunn Zoo, an institution celebrated as "the oldest zoo in the world." Not all of the installation images impress me, but a few are coolly beautiful. The best of them serve as both a celebration of life's ambivalent persistence and a critique of our romantic notions of wilderness.


Steinbrener/Dempf
"Trouble in Paradise"

Note: Thanks to RSA Arts & Ecology blog for the heads up

Monday, August 01, 2005

Zoo Time


This past Sunday afternoon, I visited the Bronx Zoo with a friend and his wife. 4 1/2 hours of animal observation should energize and excite someone so passionate about conservation and ethology, but I sat sapped in a diner that evening, absently watching traffic merge onto the expressway.

What is it about zoos that so depresses me? Although a strong case can be made that zoos are unethical, this high-minded charge doesn't unsettle me. In fact, animal care has improved at a remarkable rate. In the 19th century, the zoological garden didn't exist. Their forebears, private menageries assembled to display wealth and influence, and side-shows designed as profitable entertainment, generally provided the caged animals with only basic needs. Fortunately, as the study of natural history flowered, so too did the zoological garden. Early zoos served two purposes; they provided the public with entertaining education and scientists with first-hand access to exotic species. Thus, the groundwork was laid for influential conservation organizations like the Wildlife Conservation Society.

Certainly, I sometimes feel that zoo enclosures are too small, too dirty, too damp, or too dry but, as a general rule, the care received by contemporary zoo animals ranges from good to excellent. The attention-grabbing headlines aside, most zoo keepers are diligent workers and conscientious stewards. Furthermore, zoo signage has improved greatly in recent decades. At the Bronx Zoo, signs provide visitors with general species information, but they also highlight curious animal behavior and pertinent environmental issues.

All of this is positive, so what is it that I find so objectionable? The answer, sadly, is the willful ignorance of the typical zoo goer. The bad behavior I observed on Sunday is routine. I watched people feed french fries and gold fish crackers to ducks and geese, and toss chunks of soft pretzel at Pere David deer (Elaphurus davidianus). Others banged on glass enclosures housing rodents, birds, reptiles, amphibians or monkeys. When I politely chided one young boy for striking several snake enclosures, he replied, "You're not my Dad," and ran off. Minutes later, I watched in shock as his father rapped on a turtle enclosure.

Some youngsters cursed at the animals while their parents stood nearby, saying things like, "Oh, that's gross" or "Yeah, you know that mother fu*ker is thinking about getting some frog pussy later tonight." One zoo goer approached a display and loudly asked, "What is that? Oh, my God. It's weird," then walked away. She never looked at the signage. A NASCAR fan (judging by his shirt and cap) was perplexed by the inclusion of a chainsaw in a rainforest vivarium. Leaning over a sign that detailed the negative impacts of logging in Central and South America, he shouted over his shoulder to his wife, "What is the hacksaw doing there?!"

Watching a group of gelada baboons (Theropithecus gelada) groom one another in the shade, I was startled by the booming voice of a middle-aged woman behind me. "Look at the gorillas. See the gorillas, everyone? You see 'em? Look at the Gorillas. Are these Gorillas? Yeah, these are the gorillas. See this one here? He's the father and he's cleaning the mother. Ain't that cute? Ain't that something? Damn! See over there. That's the babies of this mother and father gorilla. Umhmmm. Neat, huh? Look at those gorillas! That's something." I worried that the male baboon would be spooked by her soliloquy but, used to such noise and nonsense, he cast a few drowsy glances in our direction and continued grooming one of his harem. That the female he groomed was not pair-bonded, that the other females were not his offspring and that none of these monkeys were apes, much less gorillas, was of no interest to the woman. Rather than correct her, I watched to see if she would notice the large 2' x 8' sign in front of her, and thereby realize that these animals were not gorillas. She did not.

Zoo goers don't seem interested in learning. The zoo is, for most visitors, a place to kill some time with the kids. As a result, every animal is turned into a playtime caricature. All the species of toucan on display was either "Toucan Sam" or "Zazu from 'The Lion King.'" (No toucan species is native to Africa, and Zazu was a species of hornbill.) The Siberian tigers (Panthera tigris altaica) were "Tony the Tiger" or "Exxon." Every animal is also characterized as horny (see frog comments above) or lazy ("Yeah, see up in the shade? He's chillin' after a long night of drinkin' with the boys."). Rarely is a creature deemed a fascinating fellow inhabitant of Earth, a testament to the marvel of evolution that is deserving of respect, study and conservation. Instead, the animals are reduced to easy parody and dismissed. Treated so poorly, the zoo encounter will merit little more than a show-and-tell remark; a day at the zoo generates the variety of temporal titillation summer blockbusters aim for.

A zoo trip isn't only about laughing at the unusual, though. Lifetime memories are granted via the purchase of stuffed animals. These plush, minaturized representations of the animal kingdom are manufactured in the Philippines, and they are more tolerable and meaningful than any fenced or caged beast, especially when they are tastefully arranged on a made bed.

When I visit zoos, I invariably contend with a surge of misanthropic loathing. Had someone approached me on Sunday afternoon with Edward Hoagland's "new variety of neutron bomb," one that kills off humanity but spares the "rest of creation," the nihilistic temptation would have been great. Of course, even if such a weapon existed, I wouldn't use it. There is no sense in punishing humanity for its inherited prejudices, most of which are shared by all the beasts. Still, one wonders how so many humans assume scalae naturae superiority, yet lack moral idealism and curiosity.

Photo credit: ripped from Strategic Transitions