Showing posts with label Edward Hoagland. Show all posts
Showing posts with label Edward Hoagland. Show all posts

Wednesday, July 25, 2012

Platte Clove Residency: Some Remove

Plattekill Falls; Platte Clove Nature Preserve;
Catskills; NY; July 2012
On the first afternoon of my residency at Platte Clove, after settling into the cabin and familiarizing myself with local trail maps, I decided to explore a short path that begins a few steps from the cabin's porch and winds its way down one of the valley's uppermost gorges to Plattekill Falls. It was a lovely reintroduction to the Catskills. Late afternoon sunlight filtered through the mixed forest's overstory, unevenly illuminating a floor decorated with eastern hemlock cones. Hidden from view in the canopy above, red-eyed vireos ceaselessly repeated their lilting questions.

Monday, March 09, 2009

Revisiting reconstitution


Christopher Reiger
"Continuity"
2007
Sumi ink and watercolor on Arches paper
11 1/2 x 14 1/2 inches

In "Becoming phoebes," I described the satisfaction I feel when contemplating the giving over of contained corporeal energy to the rest of life. I dubbed this process "reconstitution" and, citing the essayist Edward Hoagland as a writer who "speaks to the magic of" this process, included an excerpt from his terrific book On Nature.

A week later, I picked up the most recent issue of Harper's Magazine and read Hoagland's essay "Curtain Calls," an inconsistent and rather bleak take on the contemporary state of things. I later debated the merits of Hoagland's rich pessimism with my father, and decided that older writers must be forgiven some of their bitter steepings; after all, it generally holds that older thinkers long for what once was and younger thinkers dream of what may be.

In any case, Hoagland again dedicated some lovely passages to the notion of reconstitution. In light of the recent, related post, I thought I should share them here.
"If this globe is the only heaven we have, I doubt the trip will be a long one. Downward into the seethe of soil and the sea, we landlubbers become marine again.

I believe in continuity through conductivity: that seething underpinnings of life's flash and filigree, its igniting chemistry, may, like fertilizer, appear temporarily dead, but spark across species like the electricity of empathy, or as though paralleling the posthumous alchemy of art.

Gazing out the window, I see nothing but motion, high and low - scudding clouds, swinging leaves, right down to the millipedes (if I step outside) seething in the soil. Death, be not proud. Plant me when I die so that I can seethe with them."

Tuesday, February 24, 2009

Becoming phoebes


Eastern phoebe (Sayornis phoebe)


The renowned naturalist, entomologist and sociobiologist Edward O. Wilson maintains that belief in the afterlife developed as a human coping mechanism, as a way for our enlarged brains to contend with mortality. He writes,
"Our conscious minds hunger for a permanent existence. If we cannot have everlasting life of the body, then absorption into some immortal whole will serve. Anything will serve, as long as it gives the individual meaning and somehow stretches into eternity that swift passage of the mind and spirit lamented by Saint Augustine as the short day of time."
Today, religious literalists look forward to Pearly gates or seventy-two virgins while most rational secularists, frightened of death's finality, strive to reject it. The first perspective is delusional, the second, incomplete; both are fearful.

Yet there is at least one sensible and beautiful conception of the afterlife, and it is not at all fearful: reconstitution. Most people find contemplation of the body's posthumous decomposition uncomfortable. But the knowledge that my corporeal substance will rot and, in doing so, release energy for use by the rest of things is deeply satisfying.

Poet Galway Kinnell describes reconstitution in his poem "The Quick and the Dead" as "the crawling of new life out of the old, which is what we have for eternity on earth." But beyond the biological, death remains a mystery.

I can not, one way or the other, speak to supernatural transference, though I feel that metaphysical notions of self or soul preservation are misguided. The "me," I think, will rot with my body, but the flow keeps on keeping on, until the end of time.

The author and essayist Edward Hoagland, the writer that inspired this blog's first post, speaks to the magic of reconstitution in his book On Nature.
"In my stint in the army, working at the hospital morgue, I'd noticed how commonly the dead had managed at the last moment a benign or temperate sort of smile. This circularity is neither alarming nor incongruous, but rather seems to make things whole and complete. In the summer, dancing butterflies of pretty colors will congregate where I've gone outside to piss in the grass. The glint of tiger yellow or cobalt blue in their beautiful wings may be enhanced by the minerals that they so crave and that my body has declared surplus. And if a nesting phoebe soon grabs one, she is going to profit also -- which is a foretaste of the myriad uses that more extensive portions of me will be put to eventually."
We are all, then, becoming phoebes, butterflies, mud and gas. I find so much joy in the thought.

Image credit: ripped from Photographs From Virginia section of Kirk Rogers' site

Wednesday, September 05, 2007

Daily Conversation



Christopher Reiger
"some shambles of apology"
2002
Pencil, watercolor, gouache, acrylic, sumi ink and marker on stretched Arches paper
25 1/4 x 30 inches
"We opt for what we want as daily conversation in the privacy of our minds, and whether on most days we get to watch the sunrise and listen to a snatch of the genius of Bach. It's not expensive to pay attention to the phases of the moon, to transport lemon lilies, and watch a garter snake birthing thirty babies and a catbird grabbing some, or listen to the itchy-britches of the Canada geese as autumn waxes. We will be motes in the ocean again soon, leached out of the soil of some graveyard, and everlastingly rocking."

-Edward Hoagland, "Compass Points"
Tomorrow night the New York art world will kick start another season. I've been trying to get charged up about the September frenzy, but when I visit Artcal's "Openings : Next 7 Days" listing, I'm daunted by the number of shows. This, despite the fact that I look forward to seeing a great many of them.

After eight years in New York, my stomach still tightens when I anticipate attending openings. Whether taking the polite chit-chat route or opting for an intoxicated art party approach, I'm out of my element. People tell me that I handle myself well enough; I suppose I do - I'm not a misanthrope - but the anxiety and the resulting physical discomfort rarely seem worth it. I prefer to be alone when I'm looking at art.

So, this year, as usual, I plan to attend only my friends' openings. All well and good, except that the reclusive temperament isn't well suited to an art career. Curiously, I'm less worried about this fact than I once was. Work is going well in the studio and, most importantly, I'm happy. As William Gaddis wrote in "The Recognitions,"
"What's any artist, but the dregs of his work? The human shambles that follows it around. What's left of the man when the work's done but a shambles of apology."
This being the case, listening to those Canadas is all that much more important.

Tuesday, December 06, 2005

The Plant Whisperer



In high school, I enjoyed reading William Faulkner's meandering sentences. I often contrasted Faulkner's verbosity with Ernest Hemingway's short, punctuated descriptions. Despite their dramatic stylistic differences, both writers excel as story tellers, but it was the writing itself, the technique, that made or broke a piece.

These days, though I'm more inclined to read non-fiction, I struggle through poorly crafted work, no matter how excellent the narrative or the conceit. I'm a pretentious reader, I suppose. Fortunately, there are many contemporary essayists who excel at their craft. The prose of Edward Hoagland and William Gass, to offer two notable examples, is often so compelling that I am moved to read it aloud.

Superior writing should not remain on the page; it must be released, through annunciation. This is most often true of poetry. Designed for the ear as much as the mind, the best verse floats somewhere between abstract instrumentation and lucid communication.

I was therefore delighted to stumble upon William Gass's essay "The Sentence Seeks Its Form: What Can We Do To Find Out How Writing Is Written?" in the most recent issue of BookForum. Gass's best passages make me purr with satisfaction or, less happily, make me aware of my relative failings as a writer. Consider the following selection.
"When we breathe, we take in the oxygen we need to live, but we also acquire at the same time the air necessary to form words, and these are sent forth, when we exhale, in the same way that the lion growls or the hyena chortles. Breath (pneuma) has always been seen as a sign of life and was once identified with the soul. Don't fall for phrases like 'gut feeling' or 'coming from the heart.' Language is born in the lungs and is shaped by the lips, palate, teeth, and tongue out of spent breath - that is, from carbon dioxide. That is why plants like being spoken to. Language is speech before it is anything. It is born of babble and shaped by imitating other sounds. It therefore must be listened to while it is being written."
A friend once told me that he sometimes became sexually aroused when reading good literature. At the time, I laughed off this idea; I was convinced that he was exaggerating. Years later, I'm not so sure. Though my literary pleasures are never sexual, they remain a form of intense arousal, a brief euphoria that can be cultivated and revisited. As Gass puts it, "That is why plants like being spoken to. Language is speech before it is anything."

Photo credit: ripped from the Access Excellence Health website

Monday, August 01, 2005

Zoo Time


This past Sunday afternoon, I visited the Bronx Zoo with a friend and his wife. 4 1/2 hours of animal observation should energize and excite someone so passionate about conservation and ethology, but I sat sapped in a diner that evening, absently watching traffic merge onto the expressway.

What is it about zoos that so depresses me? Although a strong case can be made that zoos are unethical, this high-minded charge doesn't unsettle me. In fact, animal care has improved at a remarkable rate. In the 19th century, the zoological garden didn't exist. Their forebears, private menageries assembled to display wealth and influence, and side-shows designed as profitable entertainment, generally provided the caged animals with only basic needs. Fortunately, as the study of natural history flowered, so too did the zoological garden. Early zoos served two purposes; they provided the public with entertaining education and scientists with first-hand access to exotic species. Thus, the groundwork was laid for influential conservation organizations like the Wildlife Conservation Society.

Certainly, I sometimes feel that zoo enclosures are too small, too dirty, too damp, or too dry but, as a general rule, the care received by contemporary zoo animals ranges from good to excellent. The attention-grabbing headlines aside, most zoo keepers are diligent workers and conscientious stewards. Furthermore, zoo signage has improved greatly in recent decades. At the Bronx Zoo, signs provide visitors with general species information, but they also highlight curious animal behavior and pertinent environmental issues.

All of this is positive, so what is it that I find so objectionable? The answer, sadly, is the willful ignorance of the typical zoo goer. The bad behavior I observed on Sunday is routine. I watched people feed french fries and gold fish crackers to ducks and geese, and toss chunks of soft pretzel at Pere David deer (Elaphurus davidianus). Others banged on glass enclosures housing rodents, birds, reptiles, amphibians or monkeys. When I politely chided one young boy for striking several snake enclosures, he replied, "You're not my Dad," and ran off. Minutes later, I watched in shock as his father rapped on a turtle enclosure.

Some youngsters cursed at the animals while their parents stood nearby, saying things like, "Oh, that's gross" or "Yeah, you know that mother fu*ker is thinking about getting some frog pussy later tonight." One zoo goer approached a display and loudly asked, "What is that? Oh, my God. It's weird," then walked away. She never looked at the signage. A NASCAR fan (judging by his shirt and cap) was perplexed by the inclusion of a chainsaw in a rainforest vivarium. Leaning over a sign that detailed the negative impacts of logging in Central and South America, he shouted over his shoulder to his wife, "What is the hacksaw doing there?!"

Watching a group of gelada baboons (Theropithecus gelada) groom one another in the shade, I was startled by the booming voice of a middle-aged woman behind me. "Look at the gorillas. See the gorillas, everyone? You see 'em? Look at the Gorillas. Are these Gorillas? Yeah, these are the gorillas. See this one here? He's the father and he's cleaning the mother. Ain't that cute? Ain't that something? Damn! See over there. That's the babies of this mother and father gorilla. Umhmmm. Neat, huh? Look at those gorillas! That's something." I worried that the male baboon would be spooked by her soliloquy but, used to such noise and nonsense, he cast a few drowsy glances in our direction and continued grooming one of his harem. That the female he groomed was not pair-bonded, that the other females were not his offspring and that none of these monkeys were apes, much less gorillas, was of no interest to the woman. Rather than correct her, I watched to see if she would notice the large 2' x 8' sign in front of her, and thereby realize that these animals were not gorillas. She did not.

Zoo goers don't seem interested in learning. The zoo is, for most visitors, a place to kill some time with the kids. As a result, every animal is turned into a playtime caricature. All the species of toucan on display was either "Toucan Sam" or "Zazu from 'The Lion King.'" (No toucan species is native to Africa, and Zazu was a species of hornbill.) The Siberian tigers (Panthera tigris altaica) were "Tony the Tiger" or "Exxon." Every animal is also characterized as horny (see frog comments above) or lazy ("Yeah, see up in the shade? He's chillin' after a long night of drinkin' with the boys."). Rarely is a creature deemed a fascinating fellow inhabitant of Earth, a testament to the marvel of evolution that is deserving of respect, study and conservation. Instead, the animals are reduced to easy parody and dismissed. Treated so poorly, the zoo encounter will merit little more than a show-and-tell remark; a day at the zoo generates the variety of temporal titillation summer blockbusters aim for.

A zoo trip isn't only about laughing at the unusual, though. Lifetime memories are granted via the purchase of stuffed animals. These plush, minaturized representations of the animal kingdom are manufactured in the Philippines, and they are more tolerable and meaningful than any fenced or caged beast, especially when they are tastefully arranged on a made bed.

When I visit zoos, I invariably contend with a surge of misanthropic loathing. Had someone approached me on Sunday afternoon with Edward Hoagland's "new variety of neutron bomb," one that kills off humanity but spares the "rest of creation," the nihilistic temptation would have been great. Of course, even if such a weapon existed, I wouldn't use it. There is no sense in punishing humanity for its inherited prejudices, most of which are shared by all the beasts. Still, one wonders how so many humans assume scalae naturae superiority, yet lack moral idealism and curiosity.

Photo credit: ripped from Strategic Transitions

Monday, June 20, 2005

The Book Meme Got Me

I was "infected" with this meme (via Vitriolic Monkey) some time ago. It lay dormant, thoughtfully waiting for me to wrestle the more serious mystery infection into something resembling submission. Anyway, now that my brain seems to be back up to snuff - at least, as up to snuff as it can get - I figure I'll answer these.

1. Total number of books I've owned.
This is a silly question, especially considering those school book sales they used to host in the early grades. Man, I would raid those places! Of course, I focused on Mad Libs but books were also purchased, much to my mother's relief.

Currently I have just under 300 books in my Queens apartment, but many more are at my parents' house in Virginia; unfortunately, small apartments don't allow for a proper library.

I'm something of a bibliophile. I love to - no, must - smell books and run my fingers down the different papers or up the binding; it's a perversion, really, but one that I'm quite comfortable with. As for how many books I have ever owned...I've no idea.

2. Last book I bought.
A three-way purchase:
Foop!, by Chris Genoa, a debut novel by a college buddy of mine. I'm halfway through and enjoying it.

Shoveling Fuel For A Runaway Train: Errant Economists, Shameful Spenders, And A Plan To Stop Them All, by Brian Czech, a conservation biologist and founder of The Center for the Advancement of the Steady State Economy.

XXX: 30 Porn-Star Portraits, by Timothy Greenfield-Sanders, the acclaimed photographer; this is more of a coffee table art book than a good read.

3. Last book I read.
I'm currently reading nine books and attempting to keep up with my many magazine subscriptions so things can get confusing. The two books I finished most recently are:

Tigers & Ice: Reflections on Nature and Life, by Edward Hoagland, one of the best American essayists of the twentieth century and almost certainly the best one working today.

Living Wild & Domestic: The Education of a Hunter-Gardener, by Robert Kimber; Quite simply, one of the best books I have ever read dealing with the philosophical hand wringing of hunting, fishing, and agriculture and how these relate to conservation and, more importantly, each of our lives.

4. Five books that mean a lot to me.
I will list four books and one category.

Childhood favorites that I still cherish; The Chronicles of Narnia, by C.S. Lewis, Watership Down, by Richard Adams, The Hobbit and The Lord of the Rings, by J.R.R. Tolkien, The Just So Stories, by Rudyard Kipling.

On Human Nature, by E.O. Wilson

Consilience: The Unity of Knowledge, by E.O. Wilson

The Third Chimpanzee: The Evolution and Future of the Human Animal, by Jared Diamond

Speak, Memory, by Vladimir Nabakov

There are so many also-rans (not in the pejorative sense) that it becomes hard to narrow it down to five. Also, excepting the childhood reads, I have not included any fiction. I still enjoy reading fiction and some of my favorite books are novels, but my recollection of such writing is fleeting; my "artsy side" seems more attuned to visual art and film.

5. People who I'll infect with this meme.
I think all the bloggers I know have either already been "infected" or host sites that are focused on things other than book lists. I don't want to end the meme, however, so I'll pass this along to the following sites, but with the understanding that they don't HAVE to do it, especially you, Chris, since it might seem very out of place at Organic Matter.
Get Up Stand Up
Dirt and Soundwaves
Organic Matter

Tuesday, March 01, 2005

Edward Hoagland, invasive species and a beginning


On my commute to work this morning, I finished reading Edward Hoagland's Tigers & Ice. I admire Hoagland for his beautiful prose and life well-led, and the collection of essays was a pleasure to read.

Hoagland bridges the divide between conservation and preservation. He begrudgingly accepts change and understands that the sustainability movement must strive to ensure environmental health without neglecting the human animal. Like most of us, though, he is loathe to see the landscapes he cherishes fade or vanish.

The preservationist urge is rooted in nostalgia and fear. These feelings are natural, but not entirely wholesome. The current furor over invasive species is a good example. Although introduced or "alien" species often wreak havoc in their adoptive ecosystems, every species qualifies, at one time or another, as an "exotic." When the northwestern islands of Hawaii first rose from the ocean floor five million years ago, they were barren, volcanic rock. Every species that we now consider "native" to Hawaii migrated to the island chain, or else was carried there by currents and happenstance.

Like humans, most species appear in one locale and, if successful, radiate outward over time. With this in mind, it seems rather xenophobic to patrol our borders and wage war against "the invaders." On the other hand, biologists rank the worldwide invasive species problem second only to habitat loss in terms of negative environmental impact. (In terms of biodiversity, it may be even more destructive; exotics are often trophic generalists, allowing them to displace the trophic specialists.)

At any rate, I'm sure there will be much more written about invasive species in future HH posts. The subject is one of many contemporary conservation concerns I would like to mull over in this forum.

I am an artist, so readers can also expect to see regular art postings.